Taken from the intoxicating 1972 film, Our Latin Thing, our hero directs the Fania All Stars performing one of his greatest hits. Although there’s lots of bugalú here, this is stripped-down proto-salsa. In many crucial ways, Johnny Pacheco’s life told a typical New York Latino story: He was a Dominican immigrant playing Cuban music for a mostly Puerto Rican audience. Released 1968. The Very Best Of Fania All Stars ... C. Curet Alonso - Johnny Pacheco. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Free shipping for many products! Making stars out of Puerto Ricans like Willie Colón and Héctor Lavoe, the Cuban diva Celia Cruz, a Brooklyn Jew named Larry Harlow, and a Panamanian troubadour named Rubén Blades, Fania Records spread the new Latin groove from Yankee Stadium to Kinshasa, Zaire. 1. Paired with the Pacheco groove, the “Queen of Rumba” evolved, unleashing two of her greatest hits: “Toro mata” and “Quimbara.” Both received wild acclaim among dancers, who immediately accepted her as the favorite on the growing salsa market, which was about to take the world by storm. Just a few minutes in, on “Quítate Tu,” you can see how Pacheco effortlessly commands the multitudinous chorus of star singers while directing horns and percussion. "Gracia Divina" is Celia's contribution to Larry Harlow's Latin Opera. Que Viva La Música. In that respect, he was the Berry Gordy of Latin New York, but he went beyond that – in launching the Fania All Stars. Probably salsa’s most beloved and talented vocalist, Héctor Lavoe was in many ways emblematic of the New York Puerto Rican experience. Find out more about Sounds and Colours here. “The truth is that I have been very happy,” sings Cruz. Here they are, the two songbirds, in the twilight of their years. Featuring Pete “El Conde” Rodriguez on vocals, here’s the title track from an historic album – the first release on Johnny Pacheco and Jerry Masucci’s Fania label. 1, a candidate for the greatest live album EVER!!! Fania, the … 200 pages of articles, illustrations and photos focused on Peruvian music and culture (comes with 19-track CD and 2-hour DVD), This work is licensed under a Creative Commons License Website developed by THG Creative, Subscribe to the Sounds and Colours Newsletter, Arte Para No Morir: Artistic Solidarity with Colombia, Andrés Vargas Pinedo – El Fabuloso Sonido de…, Under The Influence: Sophia Chablau E Uma Enorme Perda De Tempo. In the Pacheco-written song “La Dicha Mía” (My Bliss), Cruz recounts the rocky road that led her from Havana to New York, where she’d meet collaborators like Puente, Colón and Pacheco himself. Spotlight On Pacheco, Vol. The flutist, composer, arranger and bandleader died this week at 85. The multitalented poet/troubadour/Hollywood actor shines here on his groundbreaking solo album, combining lyrical elements of Cuban nueva trova with lush Colón orchestral salsa arrangements. He began playing with Johnny Pacheco in the '60s before forming his own band that performed a modern version of Arsenio Rodriguez's classic conjunto sound. His mid-period excellence is crystallized in “Indestructible,” which rode unparalleled waves of frenetic dance energy. Fania All Stars Live In Japan 1976 (Live) 07:37 Playlists. Celia Cruz (born as Úrsula Hilaria Celia de la Caridad Cruz Alfonso in La Habana, Cuba on 21 October 1925 – died 16 July 2003) was a Cuban-American and was one of the most successful salsa performers of the 20th century, having earned twenty-three gold albums. This was a Christmas album with a twist — rather than trot out the Fania All-Stars to do salsa versions of “Silent Night” and “Jingle Bells,” Willie Colón and Héctor Lavoe decided to record classic Puerto Rican aguinaldos with a kind of Bad Santa New York feel. “We caused a sensation,” Celia sings, and in the chorus she thanks God “and the saints every day for my luck.” We should all thank the saints for Johnny Pacheco’s life of music. A little-known aspect to Johnny Pacheco's career is the fact of his being one of NY's most in demand recording studio musician's in the 1960's and 70's, recording on Billboard number one pop hits, Melanie's "Brand New Key," and Eydie Gorme's "Blame It On The Bossa Nova." "Quimbara," "Usted Abuso," "Cucala" and "Toro Mata" are from albums with Johnny Pacheco. "Lo Tuyo Es Mental" and "Latinos En Estados Unidos" are from collaborations with Willie Colon. 16 Songs. Baila con las canciones más memorables de la reina de la salsa. Johnny pacheco el faisan MP3 Gratis, Escuchar Musica En Linea En Calidad 320Kpbs, Bajar Todas Las Canciones Nuevas, Letras, Lyrics, Musica Mas Sondadas Online. First Johnny Paycheck release only to be released in stereo. Since then it has become one of the world's #1 sources for information on the topic, printing specialist books as well as maintaining this website, with collaborators based around the world. Yet it was Pacheco’s collaborations with irreplaceable vocal talents like Celia Cruz and Pete "El Conde” Rodríguez that best represented his greatness, leading to such classics as “Quimbara” and “La Esencia Del Guaguancó”. Sounds and Colours began its life in 2010. Muere Johnny Pacheco, uno de los grandes de la salsa y fundador de la Fania All Stars. I could go on for hours, but that’s all for now folks! Here are 15 examples of how Pacheco, who died this week at 85, and his Fania cohort made music history. As a songwriting team, the two had no competition; Blades was at the top of his vocal game, and Colón’s arrangements were never more brilliant. Johnny Pacheco, a Dominican-born musician who was the co-founder of Fania Records, often called the Motown of salsa music, an up-tempo, dance-driven style … “My luck cannot be compared!”. Johnny Pacheco. “Las Caras Lindas” comes from Rivera’s solo period with Fania — it’s written by the renowned songwriter Tite Curet Alonso and celebrates the beauty of Afro-Puerto Ricans. El Ratón (Live) Fania All Stars. Pacheco and Masucci’s experiment blew up beyond their wildest dreams. In “La Dicha Mía”, written by Pacheco for the star of stage and fingernail endorsements, he sketched her various partnerships with other musicians, including himself. Recontextualizing the rustic bomba and plena genres by adding more instruments, the Rivera-Cortijo sound flowed easily into New York-style salsa. 02. Style: ... Johnny Pacheco, Justo Betancourt, Papo Lucca: 14: Yerbero Moderno Featuring – Johnny Pacheco, Justo Betancourt, Papo Lucca: 15: Cao Cao Mani Picao - rica salsabrosa...- johnny pacheco & pete "el conde" rodriguez / celia cruz /hector casanova Evolving from their bugalú roots into a mainstream salsa machine, Ray and Cruz have a following of rabid devotees. She was renowned internationally as the "Queen of Salsa" as well as "La Guarachera de Cuba. For many years the best-selling salsa album of all time, “Siembra” was the culmination of the Blades-Colón partnership. Johnny Pecheco co-founded Fania Records, which became home to salsa’s greatest talents. The marketing master was already at work in the early 1960s, forming his first outfit whose catchy, no-frills commercial music sold in big numbers and helped to popularise a new dance craze, pachanga. Coro Miyare . Like many self-styled New York entrepreneurs, he knew he had to hit the pavement with his product and get to know his customers face-to-face, driving around Harlem and the Bronx selling records out of the trunk of an old Mercedes-Benz. Celia Cruz was already a star with Sonora Matancera when she left Cuba in 1960, replacing the legendary La Lupe as Tito Puente’s lead singer in 1966. Follow Sounds and Colours: Facebook / Twitter / Instagram / Mixcloud / Soundcloud / BandcampSubscribe to the Sounds and Colours Newsletter for regular updates, news and competitions bringing the best of Latin American culture direct to your Inbox. Greatest Hits. Taken from the intoxicating 1972 film, Our Latin Thing, our hero directs the Fania All Stars performing one of his greatest hits. 5:42 Listen Now $1.29 In MP3 cart View MP3 Cart Quítate Tú (Live) [feat. "Toro Mata,” Celia Cruz and Johnny Pacheco. 15 Essentials From Johnny Pacheco and Fania Records, the ‘Motown of Salsa’, https://www.nytimes.com/2021/02/17/arts/music/johnny-pacheco-fania-records-playlist.html. This particular track features a break based on a Chopin étude, which is always a live crowd-pleaser. Ismael Miranda & Santos Colón & Johnny Pacheco & Adalberto Santiago & Willie Colón & Héctor Lavoe & José Feliciano & Pete "El Conde" Rodríguez] Another anthemic crowd pleaser, “Plante Bandera” alludes to the growing sense of nationalism and pride that tied together salsa fans, as well as a growing awareness of Latino presence in the United States and the projection of the salsa genre itself. 05:31 05. 05:38 05. Pacheco’s arrangements, creating an easy flow between piano and horns, were rapidly becoming the salsa sound. You helped to create Our Culture.”. $12.99. $10.00. Pacheco had been working several variations of the son genre at the Bronx nightclub Triton’s, making a name for himself, according to the scholar Juan Flores’s book “Salsa Rising,” by adding a hop and flashing a hankie while dancing onstage to a hot new style called pachanga. Chamaco Ramírez’s sometimes-overlooked plaintive style hits all the right notes, and the band’s percussive momentum, punctuated by a tenacious horn section, pushes the lyrics to their maximum effect. Pacheco’s collaboration with the underrecognized vocalist Pete “El Conde” Rodríguez (not to be mistaken for bugalú’s Pete Rodríguez) captures a more polished stage of his career. Musically speaking, Johnny Pacheco’s finest moments were probably in partnership with that mighty ensemble of stars, or with individual stars such as Pete Rodriguez and his frequent collaborator, Celia Cruz. Greatest Hits. Book and CD offering an alternative guide to Argentine culture, focusing on marginalised movements and underground scenes. This recording, made at the Cheetah Club, which once hosted bugalú as well as the first production of “Hair” before its Broadway run, features lengthy jams like “Anacaona,” a tribute to a rebellious female Taíno leader, with powerful vocals by Cheo Feliciano, backed by Willie Colón, Larry Harlow and Ray Barretto, among many others. All of the tracks have contributions from some of Cruz's favorite collaborators (Willie Colón, Papo Lucca, and of course Johnny Pacheco), although Greatest Hits ends on the solo piece with which the singer closed most of her live shows, "Bemba Colora," which marked her recording debut back in Cuba in 1951 with the group Sonora Matancera, but was reworked for her 1975 Fania All-Stars … Back then it was a simple blog looking at underground culture in South America. A los 85 años murió Johnny Pacheco, figura legendaria de la salsa. Robert Leaver. ... Johnny Pacheco / Pete Conde Rodriguez, Celebracion 1989 Mexican Lp In Shrink Wra. He packaged New York attitude and a new spin on Afro-Cuban beats, and changed Latin music forever. An epic 16-minute version concludes the immortal Live at the Cheetah Vol. Latin-Soul-Rock. The album is an attempt to fuse a cinematic concept of New York Latino life with the idea of a classic rock concept album, and the performances are singular and immortal. Free shipping. On “Paula C” he remembers a lost love with the skill of a Magic Realism boom novelist. Sign In Listen Now Browse ... Johnny Pacheco, Celia Cruz. Greatest Hits Play 2. selling records out of the trunk of an old. This album is inescapable around the holidays if you have extended Puerto Rican family, balancing reverence for tradition with an incredible sense of swing. Her collaboration with Pacheco on “Celia and Johnny” was key to propelling her to recognition as the Queen of Salsa. Find many great new & used options and get the best deals for JOHNNY PACHECO - LO MEJOR at the best online prices at eBay! Alas poor Johnny, we knew him well… But perhaps we knew the dearly departed Dominican flautist more as a composer and impresario than as a musician in his own right. Androidmp3: es la mejor web para Descargar Musica MP3 para Movil (Compatible con pc), mp3xd, Descargar Musica Gratis. An epic 16-minute version concludes the immortal Live at the Cheetah Vol. The emotional percussive core of the Fania All-Stars, Ray Barretto was a remarkably versatile conga player whose career ran the gamut from bugalú to salsa, Latin jazz, and even session work for the Rolling Stones. Born and raised in Mott Haven’s gritty tenements in the Bronx, Willie Colón recorded his first album at age 17, inspired by a sour, mocking tone that Barry Rogers gave his trombone in his collaborations with Mon Rivera and Eddie Palmieri. by Johnny Pacheco & Celia Cruz on Greatest Hits. With songs like “Pablo Pueblo,” he defined the working-class Latino subject, disillusioned with urban misery after being promised the American dream. As one YouTube commentator suggested, “Never in a million years will we have another like you. Dreaming of starting his own record company (and in the midst of ending a marriage), he met Jerry Masucci, an Italian-American divorce attorney with a love for the Cuban sound. It’s a song that spotlights partnerships and collaborations, which is ultimately what Johnny Pacheco’s life in music was all about. Murió Johnny Pacheco, el creador de la Fania All Stars: esta fue la historia de su leyenda. Pacheco and Masucci’s coordination of the Fania All-Stars, an unimaginably potent group of the emerging stars of the genre, was perhaps the most single-handedly important factor in salsa’s rise. Fania All Stars. Cocinando . Propelled by the guaguancó rhythm that would become salsa’s go-to template, Rodríguez’s edgy, velvety rasp recalls Afro-Puerto Rican peers like Ismael Rivera and Cheo Feliciano. The musician, bandleader and entrepreneur Johnny Pacheco died on February 15 at age 85. Pacheco’s 1960 debut with Alegre Records, Johnny Pacheco y Su Charanga, Vol. Still, Fania has maintained an ample digital archive on YouTube, where many of Pacheco and the Fania All-Stars’ greatest hits live on. In my opinion, Pacheco is one of the seminal figures in American popular music, in the same category with people like Sam Phillips and Berry Gordy. Fania Global Bass, Vol. His legacy is incalculable. 1, a candidate for the greatest live album EVER!!! Colón’s role in inventing salsa’s attitude through the “Malo” persona is evident here, the songs insisting on Spanish-speaking, Latin-dancing authenticity filtered through a gangster-style, street-fighting sense of heart. Forever associated with the number, Hector Lavoe performs Mr. Pacheco’s masterpiece in the loudest suit and biggest bowtie ever seen on film. From his second album, “Johnny Pacheco y su Charanga,” this is a riveting distillation of Pacheco’s early pachanga sound, featuring the full effect of a Cuban charanga-style orchestra, heavy on the flutes and violins. Curiously, our Johnny played the doomed singer with the golden voice in the film, El Cantante. If you can picture Pacheco quick stepping on the downbeat, you’re witnessing the creation of New York-style salsa dancing. Categories: Dominican Republic, Music, New York, Sounds and Colours is a website and print publication focused on South American music and culture. Ray and Cruz were one of salsa’s most successful internationalizing forces, spreading the promise of its sound to countries like Colombia, in particular. $4.50 shipping. The Fania All-Stars was an illustrious and widely distinguished musical ensemble established in 1968 by composer Johnny Pacheco as a showcase for the leading musicians and singers of the record label Fania Records, the leading salsa record company of the time. Chanchullo (Live) Fania All Stars. This low-budget ’70s film directed by Leon Gast has the grainy subterranean feel that permeated later movies like Charlie Ahearn’s hip-hop origin story “Wild Style” and Glenn O’Brien’s reconstructed post-punk fever dream “Downtown 81.” The best visual record of Fania All-Stars rehearsals, club gigs, impromptu bembés and street festival performances, it also stars the Africanist-hippie-fusion wardrobe of salsa dancers of the time. The title track describes a promise salseros make to themselves to keep getting up no matter how many times they get knocked down. Fred Meyer is donating $2.5 million per year to non-profits in Alaska, Idaho, Oregon and Washington, based on where their customers tell them to give. His participation with the Fania All-Stars enhanced his star status all the more. Johnny Pacheco featuring Pete ‘El Conde’ Rodríguez, ‘La Esencia del Guaguancó’ (1970) Known as “El Sonero Mayor” (The Greatest Singer) in Puerto Rico, Ismael “Maelo” Rivera’s sound was formed through his collaborations with his childhood friend, the percussionist Rafael Cortijo. Download our mobile app now. Listen to your favorite songs from Greatest Hits by Celia Cruz Now. A highlight is the first appearance of Yomo Toro, sometimes known as the Jimi Hendrix of cuatro, a rustic 10-string lute that explodes from the vinyl. Johnny Pacheco, Who Helped Bring Salsa to the World, Dies at 85 A Dominican-born bandleader and songwriter, he co-founded Fania Records, known as the Motown of Salsa. $7.95. While arguments will rage about the greatest Nuyorican of all time – Tito Puente perhaps, or Eddie Palmieri, Ray Barretto, Celia Cruz or maybe Willie Colón – arguably, as the co-founder of the Fania label, Johnny Pacheco did more than anyone to popularise salsa. The late composer was born in the Dominican Republic, and he moved with his musically-inclined parents to New York City when he was 11. Fania All Stars “Mi Gente” Johnny Rodriguez - The greatest hits of Johnny Rodriguez - … For a simply combustible version of the song, check out “Little Louie” Vega’s remix. Celia Cruz’s transformation from Cuban singer to “queen of salsa” took place in New York City, where she signed with Fania Records. Contains the original version of Jukebox Charlie, but has louder vocals. Find many great new & used options and get the best deals for JOHNNY PACHECO - LO MEJOR at the best online prices at eBay! Ray Barretto. Johnny pacheco el faisan MP3 Gratis. Harlow was a singular figure in the salsa scene — he was born and raised in Brooklyn, the son of a mambo musician who couldn’t get the Cuban sound out of his head. Listen to the Raíces: Celia Cruz playlist with Amazon Music Unlimited. Pacheco’s precision pacing and evolving wall of sound made this guaguancó a dizzying, onomatopoetic utterance of percussive instruments. The studio version is great, but the “Live at Yankee Stadium” version is the classic. Free shipping. His wistful, nasal vocal style evoked that of a country boy simultaneously losing himself in and partying the hell out of the big city. The two hit it off so well they started a new record label they called Fania, which became home to salsa’s greatest talents. You can help KYRS earn donations just by shopping with your Fred Meyer Rewards Card! The relentless percussion embellishes lyrics that tell the story of a woman who scrapes the percussive güiro instrument to the narrator’s satisfaction. Celia Cruz – Greatest Hits Label: Fania Records – 463 950 7062-2 Format: CD, Compilation Country: US Released: 2010 Genre: Latin. Pete Rodriguez: I Like It Like That (1968) Topping our list of the 20 best Fania songs is this jaunty … Listen to Greatest Hits by Celia Cruz on VIBBIDI - Browse every single Songs, Tracklists, Music Videos, Remixes, Fan Covers, Live Performances, Tours, Playlists, Lyrics, Narrative Stories, News & more for free! In homage on the 94th birthday, here are ten eternal Celia Cruz songs. A whiplash pianist, Harlow was given the nickname “El Judío Maravilloso” (The Marvelous Jew) after his hero Arsenio Rodríguez, known as “El Ciego Maravilloso.” “Abran Paso,” sung by his favorite vocalist, Ismael Miranda, is at once an invocation of Santería mysticism and a metaphor for an emerging Latino community. 10:11 02. Music legend Johnny Pacheco (real name Juan Azarías Pacheco Knipping), who is credited with bringing salsa music to worldwide recognition, died on Feb. 15, 2021, at the age of 85. Written by Pacheco, the emotional power of “Mi Gente” derived from its ability to bring New York’s diverse Latino community together to celebrate a dynamic self-awareness in the middle of a grinding fiscal crisis. or Best Offer. By capitalizing on the streamlining term “salsa,” which had appeared years before in Cuba and Venezuela, Fania Records conflated the Afro-Latin fad bugalú (think: “I Like It Like That”) with the remnants of Cuban sounds blunted by the radio silence of the post-Revolution embargo to create an international dance mania. The Greatest Hits Of Johnny Rodriguez Vinyl Record LP VG SRM-1-1078 IN SHRINK. Celia Cruz was not only a witness to the evolution of Latin music in the United States, she was the embodiment of it. 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