1, pp. 0:00 / 39:45. This is an article about the meaning of 'Ethnofiction' which was introduced by Jean Rouch. Posted on October 6, 2011 by nicholasmid. His father was a naval officer who had been an Antarctic explorer on a ship called the Pourquoi Pas? Beginning in 1955 with his most controversial film THE MAD MASTERS, through 1969’s darkly comic LITTLE BY LITTLE, these films represent the most sustained flourishing of Rouch’s practice of “shared anthropology,” a process of collaboration with his subjects. In the late 1950s’ visual anthropologist Jean Rouch started to experiment with fiction and projective improvisation in ethnographic films such as Jaguar (1957-1967), Moi, un noir (1957) and La pyramide humaine (1959). Live. Jean Rouch Biography From Wikipedia, the free encyclopedia Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. Ethnofiction is a neologism which refers to an ethnographic docufiction, a blend of documentary and fictional film in the area of visual anthropology.It is a film type in which, by means of fictional narrative or creative imagination, often improvising, the portrayed characters play their own roles as members of an ethnic or social group.. Jean Rouch is considered to be the father of ethnofiction. As an Ethnologist, he soon discovers that the camera becomes a participant, always interfering in the event which it registers (the ritual) Going further in his attempts, Jean Rouch introduces the actor as a tool in research. Jaguar, a kind of road movie on foot, tells of the journey of three friends, Damouré, Lam and Illo, on their way to the Gold Coast where they hope to make a fortune in order to return to their village in … Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. At 86 years old, he left behind a legacy of over 120 films, the bulk of which were recorded in West Africa. The behavior of the portrayed individuals, the natives, will be affected by its presence. He was also hailed by the French New Wave as one of theirs. Les Maîtres fous is an “ethnofiction” made in 1955 by French ethnologist and filmmaker Jean Rouch, about ritual practices associated with trance and possession among the Hanoukas in Niger. The idea is … Ethnofiction is a neologism which refers to an ethnographic docufiction, a blend of documentary and fictional film in the area of visual anthropology.It is a film type in which, by means of fictional narrative or creative imagination, often improvising, the portrayed characters play their own roles as members of an ethnic or social group.. Jean Rouch is considered to be the father of ethnofiction. French film critics would call these films ‘etnofiction’. From Vues to Ethnofiction: French Ethnographic Filmmaking in Africa before Jean Rouch. Adapting Jean Rouch’s concept of ‘shared anthropology’, developed with migrant workers in West Africa, we taught visual anthropology to adolescents in Bern, Switzerland. Ethnofiction and Beyond: The Legacy of Projective Improvisation in Ethnographic Filmmaking by Johannes Sjöberg This paper is based on my doctoral study, entitled, Ethnofiction: genre hybridity in theory and practice-based research,1 a practice-based research project considering whether the ethnofictions of Jean Rouch, offers a means of integrating a hybrid study within drama and ethnography. Article. Rouch's practice as a filmmaker, for over 60 years in Africa, was characterized by the idea of shared anthropology. Visual Anthropology: Vol. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. PDF | On Jul 2, 2013, Ian Gilhespy published Jean Rouch, Ethnofiction and Visual Methods | Find, read and cite all the research you need on ResearchGate Página de interesados en la obra etnológica de Jean Rouch (2020). Close-Up is a feature that spotlights films now playing on MUBI. Jean Rouch Ethnofiction. A deliberate “ethnofiction,” Jaguar is one of cinema’s funniest and most subversive ethnographic films.In the 1950s anthropologist Jean Rouch and his Nigerian friends made a car trip from the countryside of Niger to the Gold Coast (now Ghana) and back, filming along the way. This article explores the use of ethnofiction, a technique emerging from the field of visual anthropology, which blends documentary and fiction filmmaking for ethnographic purposes. Ethnofiction and the Work of Jean Rouch. From Vues to Ethnofiction: French Ethnographic Filmmaking in Africa before Jean Rouch. Text Size Printable Version. 984 likes. Amadou Hampâté Bâ et l’africanisme: De la recherche anthropologique à l’exercice de la fonction auctoriale. Jean Rouch, the adventurous filmmaker: A portrait of innovative French motion picture director Jean Rouch, a pioneer in the use of revolutionary filmmaking approaches including ethnofiction and … Jean Rouch: A Tribute. A documentary short depicting a Hauka ceremony where young workers are possessed by British colonial officers. Jean Rouch is a filmmaker and anthropologist considered to be the father of ethnofiction. The article conceptualises the project’s epistemological background and explores how we transferred methodological knowledge in visual anthropology to 8th and 9th graders. Jean Rouch's The Lion Hunters (1966) is showing January 3 – February 1, 2019 in the United States as part of the retrospective, The Groundbreaking Ethnography of Jean Rouch. He is considered one of the founders of cinéma vérité in France. Jean Rouch (31 May 1917 – 18 February 2004) was a French filmmaker and anthropologist.. Ethnofiction is a blend of documentary film and fiction in which ethnography is combined in the staging of reality. The filmmaker and ethnographer Jean Rouch died in northern Niger on February 19, 2004. 0:00. Jean Rouch was an inspiration for the French New Wave, and a revolutionary force in ethnography and the study of Africa. Paris: L’Harmattan, 199 January 2020; Visual Anthropology 33(1):32-80 33, No. BibliographyAggarwal, Kusum. Rouch developed a complex relationship with his main ‘collaborators’, Damouré, Lam Ibrahim Dia and later Tallou Mouzourane which lasted over 50 years: They became informants, actors, technical assistants, servants, and friends and there joint production venture of the most successful ethnofiction films was named DALAROUTA (made up of the first syllabus of their names). Directed by Jean Rouch. Review on Jean Rouch’s film “Moi, un noir” written for "Film in Anthropology" course of the MA in Ethnology at the Adam Mickiewicz University in Poznan. En fait, tout se passe comme si Jean Rouch avait trouvé dans le cadre théâtral des représentations sociales une façon de contrer la pensée coloniale de l’époque : à cet égard, les membres de la secte hauka se révèlent en maîtres (pas si fous)... de la performance théâtrale. Winner of the prestigious Prix Louis Delluc in 1958, MOI, UN NOIR marked Jean Rouch's break with traditional ethnography, and his embrace of the collaborative and improvisatory strategies he called "shared ethnography" and "ethnofiction." Natives play their social roles as fictional characters of a fictional film. Jean Rouch, the son of a naval officer and a painter, was born on 31 May 1917, in Paris. (the "Why not? A new genre was born. An ethnologist, he discovered that a filmmaker interferes with the event he registers. Jean Rouch is considered to be the father of ethnofiction. A film by Jean Rouch. Pas si sûr, pas si simple. In 1946, three friends from Ponts et Chaussées, the engineering school in Paris, descended the Niger River in a dugout canoe. The idea that all films contain some elements of ethnofiction is something that appeals to me in the making of my film. Ethnofiction and the work of Jean Rouch - Blog article from UK Visual anthropology describing the development of ethnofiction in the 1950’s by key practitioner Jean Rouch Ethnofiction and beyond: The legacy of projective improvisation in ethnographic filmmaking - Academic paper from Johannes Sjoberg, ethnofiction practitioner and academic at UoM Jean Rouch was born on 31st May 1917 in Paris. After living a very travelling childhood, due to his father’s profession, Rouch went on to become a highly acclaimed filmmaker and anthropologist. Jean Rouch is considered to be the father of Ethnofiction. While Jean Rouch was establishing ethnofiction in France, a new generation of filmmakers were emerging in Japan. "); his mother was from a family of poets and painters. 32-80. With Jean Rouch. A key question is whether fiction and improvised acting could be used as a creative research practice in ethnographic film. His camera is never a candid camera. Jean Rouch, Paris, France. Defying Rouch's view on this matter, this article explores ethnofiction as an ethnographic filmmaking method by drawing on the experiences from fieldwork and filmmaking among transgendered Brazilians living in São Paulo. The Lion Hunters (1965) is, on the surface—on the very surface—an adventure story. In his early years, the family moved often within Europe and Africa. Jean Rouch is a filmmaker and anthropologist considered to be the father of ethnofiction. •. Shōchiku studio personnel were keen to connect these young innovators to developments in France, despite the filmmakers’ resistance. 0:00. Film Love presents Jaguar (Jean Rouch, 1967). The French New Wave filmmakers hailed Rouch as one of their own. 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